Addie Tsai, ‘Hybrid Texts, Assembled Bodies: Michel Gondry’s Merging of Camera and Dancer in “Let Forever Be”’ (2016) 6 The International Journal of Screendance <http://screendancejournal.org/article/view/4892/4231#.WzoLNsh9iRs>
Bleeker, Maaike, Transmission in Motion: The Technologizing of Dance (Electronic resource, Routledge, 2017) <https://www.taylorfrancis.com/books/9781315524160>
Brannigan, Erin, ‘Chapter 2: The Close-up: Micro-Choreographies’ in Dancefilm: Choreography and the Moving Image (Oxford University Press, 2011)
Brannigan, Erin, ‘Chapter 4: Maya Deren: Strategies for Dancefilm’ in Dancefilm: Choreography and the Moving Image (Oxford University Press, 2011)
Brannigan, Erin, ‘Chapter 5: Anarchic Move, Experimental Cinema’ in Dancefilm: Choreography and the Moving Image (Oxford University Press, 2011)
Brannigan, Erin, Dancefilm: Choreography and the Moving Image (Oxford University Press, 2011) <https://qut.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001613699704001&context=L&vid=61QUT_INST:61QUT&lang=en&search_scope=MyInst_and_CI&adaptor=Local%20Search%20Engine&tab=Everything&query=any,contains,Dancefilm:%20Choreography%20and%20the%20moving%20image&offset=0>
deLaHunta, Scott, Kim Vincs and Sarah Whatley, ‘On An/Notations’ (2015) 20(6) Performance Research 1
Dianne Reid, ‘Fleshing the Interface’ (2014) 4 The International Journal of Screendance <http://screendancejournal.org/article/view/4526/3776#.Wzn_-ch9iRs>
Elena Benthaus, ‘Hovering on Screen: The WOW-Affect and Fan Communities of Affective Spectatorship on So You Think You Can Dance’ (2015) 5 The International Journal of Screendance <http://screendancejournal.org/article/view/4423/3877#.WzoFrMh9iRs>
Forsythe, William and Zentrum für Kunst und Medientechnologie Karlsruhe, Improvisation Technologies: A Tool for the Analytical Dance Eye / William Forsythe (Hatje Cantz, [4th ed.], 2012)
Hay, Deborah, Becky Edmunds, and Independent Dance (Firm), Turn Your F*̂king Head: Deborah Hay’s Solo Performance Commissioning Project (Routledge, Taylor & Francis Group, 2016) <https://vimeo.com/174826616>
Heike Salzer, ‘Being a Video-Choreographer: Describing the Multifaceted Role of a Choreographer Creating Screendance’ (2015) 5 The International Journal of Screendance <http://screendancejournal.org/article/view/4446/3841#.WzoEiMh9iRs>
Hetty Blades, ‘Screendance Self/Portraits’ (2017) 8 The International Journal of Screendance <http://screendancejournal.org/article/view/5830/4640#.WzoDDMh9iRs>
Jennifer R A Nikolai, ‘The Camera-Dancer: A Dyadic Approach to Improvisation’ (2016) 6 The International Journal of Screendance <http://screendancejournal.org/article/view/4910/4267#.W1bHEMh9iRs>
Rosenberg, Douglas, ‘Chapter 1: Archives and Architectures’ in Screendance: Inscribing the Ephemeral Image (Oxford University Press, 2012)
Rosenberg, Douglas, ‘Chapter 2: Mediated Bodies’ in Screendance: Inscribing the Ephemeral Image (Oxford University Press, 2012)
Rosenberg, Douglas, ‘Chapter 3: Recorporealization and the Mediated Body’ in Screendance: Inscribing the Ephemeral Image (Oxford University Press, 2012) <http://qut.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3124874460004001&institutionId=4001&customerId=4000>
Rosenberg, Douglas (ed), ‘Chapter 29: Where Is the Choreography? Who Is the Choreographer?’ in The Oxford Handbook of Screendance Studies (Oxford University Press, 2016)
Rosenberg, Douglas (ed), ‘Chapter 31: Scriptwritting Dance’ in The Oxford Handbook of Screendance Studies (Oxford University Press, 2016)
Rosenberg, Douglas, Screendance: Inscribing the Ephemeral Image (Oxford University Press, 2012) <https://ebookcentral.proquest.com/lib/qut/detail.action?docID=3054573>
Rosenberg, Douglas (ed), The Oxford Handbook of Screendance Studies (Oxford University Press, 2016)
Tracie Mitchell, ‘Influences’ (2017) 8 The International Journal of Screendance <http://screendancejournal.org/article/view/5664/4642#.Wzn-bch9iRs>
‘15 Days of Dance’ <https://qut.kanopy.com/video/15-days-dance-making-ghost-light>
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‘All Portraits — 52 Portraits’ <https://web.archive.org/web/20220215111049/http://52portraits.co.uk/allportraits/>
‘ANVIL: The Video Annotation Research Tool’ <http://www.anvil-software.org/>
‘Archives - Merce Cunningham Trust’ <https://www.mercecunningham.org/archives/>
‘BADco. Whatever Dance Toolbox’ <http://badco.hr/hr/publications-item/whatever-dance-toolbox/>
‘Bleed: A Process Blog’ <http://bleedtereoconnor.org/>
‘Blush - Wim Vandekeybus’ <https://www.youtube.com/watch?v=QtKUONLBP-8>
‘Body as Site Film - Rosemary Butcher - 1993’ <https://www.youtube.com/watch?v=dbKgmS1RPxU>
‘Centre for Screendance | Advancing Debate about Screendance’ <https://screendance.wordpress.com/>
‘Choreographic Language Agent - Studio Wayne McGregor’ <http://waynemcgregor.com/research/choreographic-language-agent>
‘Comment Bubble - React to Video’ <https://commentbubble.com/#>
‘Complete Mondays with Merce Film Library - YouTube’ <https://www.youtube.com/playlist?list=PLUwHVm1ByQT-PeYwXnGctm8JYen7dRDJp>
‘Contact Quarterly: Dance and Improvisation Journal, Books, Dvds’ <https://contactquarterly.com/>
‘Creative Collaboration by OpenEndedGroup, Marc Downie, Shelley Eshkar & Paul Kaiser on iBooks’ <http://openendedgroup.com/images/CreativeCollaboration_OpenEndedGroup.pdf>
‘Cunningham’s Loops’ <http://openendedgroup.com/artworks/loops.html>
‘Dance Knowledge’ <https://www.danceknowledge.com/>
‘Dancer’ <https://qut.kanopy.com/video/dancer-0>
‘Dance-Tech - The Social Network for Innovators in Motion’ <http://www.dance-tech.net/>
‘DDMIX | Diverse Dance Mix’ <https://www.diversedancemix.com/about/about-ddmix>
Deren, Maya et al, ‘The History of Dance on Film and Video’
‘Dianne Reid | Hipsync | Screen Dance Artist’ <http://www.hipsync.com.au/>
‘Double Skin / Double Mind the Method • ICK’ <https://www.ickamsterdam.com/en/academy/education/ick/double-skin-double-mind-the-method-20>
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‘Enter Achilles - DV8 Physical Theatre on Vimeo’ <https://vimeo.com/139392328>
‘FrameTrail - Create, Annotate & Remix Interactive Videos’ <https://frametrail.org/>
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Healey, Sue, ‘Dance Films’
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‘Hintle’ <https://itunes.apple.com/au/app/hintle/id1251236061?mt=8>
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‘Maya Deren, Volume One, Dances For The Camera’ <https://qut.kanopy.com/video/maya-deren-volume-one-dances-camera>
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‘Michael Jackson - Thriller (Official Video)’ <https://www.youtube.com/watch?v=sOnqjkJTMaA>
Mischer, Don, Kanopy (Firm), and Kanopy streaming service, ‘Twyla Tharp: Making Television Dance’ <http://secure.qut.edu.au/library/resources/current/databases/cou/kanopy/index-script/?122586>
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‘Motionbank on Vimeo’ <https://vimeo.com/motionbank>
‘Nascent on Vimeo’ <https://vimeo.com/107685624>
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‘The Chemical Brothers - Go’ <https://www.youtube.com/watch?v=LO2RPDZkY88&list=PLl3Hr9RYX6gPSyj7-_cRTcMi06DqZW9xh>
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Wim Wenders [film director, screenwriter], ‘Pina’ <https://mediahub.qut.edu.au/media/t/0_9uqex0g2>