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Addie Tsai. (2016). Hybrid Texts, Assembled Bodies: Michel Gondry’s Merging of Camera and Dancer in ‘Let Forever Be’. The International Journal of Screendance, 6. http://screendancejournal.org/article/view/4892/4231#.WzoLNsh9iRs
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Bleeker, M. (2017). Transmission in motion: the technologizing of dance [Electronic resource]. Routledge. https://www.taylorfrancis.com/books/9781315524160
Blush - Wim Vandekeybus. (21 C.E.). https://www.youtube.com/watch?v=QtKUONLBP-8
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Brannigan, E. (2011a). Chapter 2: The close-up: Micro-choreographies. In Dancefilm: choreography and the moving image. Oxford University Press.
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Brannigan, E. (2011c). Chapter 5: Anarchic move, experimental cinema. In Dancefilm: choreography and the moving image. Oxford University Press.
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Contact Quarterly: Dance and improvisation journal, books, dvds. (n.d.). https://contactquarterly.com/
Creative Collaboration by OpenEndedGroup, Marc Downie, Shelley Eshkar & Paul Kaiser on iBooks. (n.d.). http://openendedgroup.com/images/CreativeCollaboration_OpenEndedGroup.pdf
Cunningham’s Loops. (n.d.). http://openendedgroup.com/artworks/loops.html
Dance Knowledge. (n.d.). https://www.danceknowledge.com/
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deLaHunta, S., Vincs, K., & Whatley, S. (2015). On An/Notations. Performance Research, 20(6), 1–2. https://doi.org/10.1080/13528165.2015.1111036
Deren, M., Manen, H. van, SK Stiftung Kultur, Editions à voir, Filmtheater ’t Hoogt, Kunstencentrum Vooruit, INTERARTES GmbH., & Springdance (Festival). (1996). The history of dance on film and video [Videorecording]. Editions à voir.
Dianne Reid. (2014). Fleshing the Interface. The International Journal of Screendance, 4. http://screendancejournal.org/article/view/4526/3776#.Wzn_-ch9iRs
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Double Skin / Double Mind the method • ICK. (n.d.). https://www.ickamsterdam.com/en/academy/education/ick/double-skin-double-mind-the-method-20
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Elena Benthaus. (2015). Hovering on Screen: The WOW-Affect and Fan Communities of Affective Spectatorship on So You Think You Can Dance. The International Journal of Screendance, 5. http://screendancejournal.org/article/view/4423/3877#.WzoFrMh9iRs
Enter Achilles - DV8 Physical Theatre on Vimeo. (n.d.). https://vimeo.com/139392328
Forsythe, W. & Zentrum für Kunst und Medientechnologie Karlsruhe. (2012). Improvisation technologies: A tool for the analytical dance eye / William Forsythe ([4th ed.]). Hatje Cantz.
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Hay, D., Edmunds, B., & Independent Dance (Firm). (2016). Turn your f*̂king head: Deborah Hay’s Solo Performance Commissioning Project. Routledge, Taylor & Francis Group. https://vimeo.com/174826616
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Healy, Sue (Director). (n.d.). Will time tell? Informit, Melbourne (Vic.). https://gateway.library.qut.edu.au/login?url=https://gateway.library.qut.edu.au/login?url=https://gateway.library.qut.edu.au/login?url=https://edutv.informit.com.au/watch-screen.php?videoID=54499
Heike Salzer. (2015). Being a Video-Choreographer: Describing the Multifaceted Role of a Choreographer Creating Screendance. The International Journal of Screendance, 5. http://screendancejournal.org/article/view/4446/3841#.WzoEiMh9iRs
Hetty Blades. (2017). Screendance Self/portraits. The International Journal of Screendance, 8. http://screendancejournal.org/article/view/5830/4640#.WzoDDMh9iRs
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I Dream Of Augustine. (n.d.). https://vimeo.com/12981596
‘In conversation’ with Scott deLahunta and Maaike Bleeker. (9 C.E.). https://www.youtube.com/watch?v=UOntOB2wUwY
Jennifer R A Nikolai. (2016). The Camera-Dancer: A Dyadic Approach to Improvisation. The International Journal of Screendance, 6. http://screendancejournal.org/article/view/4910/4267#.W1bHEMh9iRs
Keersmaeker, A. T. de, Ducourt, J.-L., Arditti, I., Hind, R., Ligeti, G., Ysaÿe, E., Avila (Firm), Rosas (Dance company), & Belgische Radio en Televisie Nederlands. (2005). Achterland [Videorecording]. Immortal.
La Danse. (n.d.). https://qut.kanopy.com/video/la-danse
La veillée des abysses | (La velada de los abismos) (2003) . James Thieree. (2013). https://www.youtube.com/watch?v=Ckiyn66UAX8
Maya Deren, Volume One, Dances For The Camera. (n.d.). https://qut.kanopy.com/video/maya-deren-volume-one-dances-camera
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Mischer, D., Kanopy (Firm), & Kanopy streaming service. (2015). Twyla Tharp: Making Television Dance. Kanopy Streaming. http://secure.qut.edu.au/library/resources/current/databases/cou/kanopy/index-script/?122586
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Oral Site | The Dancer as Agent Collection. (n.d.). http://oralsite.be/pages/The_Dancer_As_Agent_Collection
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Rosenberg, D. (2012a). Chapter 1: Archives and architectures. In Screendance: Inscribing the ephemeral image. Oxford University Press.
Rosenberg, D. (2012b). Chapter 2: Mediated bodies. In Screendance: Inscribing the ephemeral image. Oxford University Press.
Rosenberg, D. (2012c). Chapter 3: Recorporealization and the mediated body. In Screendance: Inscribing the ephemeral image. Oxford University Press. http://qut.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3124874460004001&institutionId=4001&customerId=4000
Rosenberg, D. (2012d). Screendance: Inscribing the ephemeral image. Oxford University Press. https://ebookcentral.proquest.com/lib/qut/detail.action?docID=3054573
Rosenberg, D. (Ed.). (2016a). Chapter 29: Where is the choreography? Who is the choreographer? In The Oxford handbook of screendance studies. Oxford University Press.
Rosenberg, D. (Ed.). (2016b). Chapter 31: Scriptwritting dance. In The Oxford handbook of screendance studies. Oxford University Press.
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Sacred monsters Sylvie Guillem, Akram Khan. (3 C.E.). https://www.youtube.com/watch?v=tisOGg7KF38
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Siobhan Davies Replay. (n.d.). https://www.youtube.com/watch?v=mjV0nB6mnR0
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Sue Healey | Scanlines. (n.d.). http://scanlines.net/person/sue-healey
Sue Healey | Dance | Film - Home. (n.d.). http://www.suehealey.com/
Sue Healey - HOW on Vimeo. (n.d.). https://vimeo.com/119505599
SURE on Vimeo. (n.d.). https://vimeo.com/47635755
Synchronizing objects. (14 C.E.). https://www.youtube.com/watch?v=5mT3K4pb9mU&list=PL25F20B43874F8705
Synchronous Objects. (n.d.). https://synchronousobjects.osu.edu/
Terrain. (n.d.). https://qut.kanopy.com/video/terrain
The Chemical Brothers - Go. (4 C.E.). https://www.youtube.com/watch?v=LO2RPDZkY88&list=PLl3Hr9RYX6gPSyj7-_cRTcMi06DqZW9xh
The International Journal of Screendance. (n.d.). http://screendancejournal.org/
The Shape of Water. (n.d.). https://vimeo.com/17059235
Tracie Mitchell. (2017). Influences. The International Journal of Screendance, 8. http://screendancejournal.org/article/view/5664/4642#.Wzn-bch9iRs
University of Roehampton Centre for Dance Research: Scott deLahunta. (14 C.E.). https://www.youtube.com/watch?v=x9o8nY8mMyU
Videodança - Rosas danst Rosas/ Anne Teresa De Keersmaeker. (18 C.E.). https://www.youtube.com/watch?v=vlLZExpgBOY
Virtuosi. (n.d.). https://qut.kanopy.com/video/virtuosi
Walter Verdin & Wim Vandekeybus - Roseland - 1990. (8 C.E.). https://www.youtube.com/watch?v=1gr6Mf56-XM
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Watch Five Dance Films About Place now | Kanopy. (n.d.). https://qut.kanopy.com/video/five-dance-films-about-place
Watch Shirley Clarke: Dances For the Camera now | Kanopy. (n.d.). https://qut.kanopy.com/video/shirley-clarke-dances-camera-1998
Wholodance website – Official. (n.d.). http://www.wholodance.eu/
William Forsythe discusses Synchronous Objects. (6 C.E.). https://www.youtube.com/watch?v=uQdZBOVYLdI
Wim Vandekeybus & Ultima Vez In Spite of Wishing and Wanting. (24 C.E.). https://www.youtube.com/watch?v=rFKIGxg9tfs
Wim Wenders [film director, screenwriter]. (n.d.). Pina. Queensland University of Technology. https://mediahub.qut.edu.au/media/t/0_9uqex0g2
