Adams, Jude. 2013. ‘Looking from with/in: Feminist Art Projects of the 70s’. Outskirts Online Journal 29. http://www.outskirts.arts.uwa.edu.au/volumes/volume-29/adams-jude-looking-with-in.
Anderson, Jaynie. 2011. The Cambridge Companion to Australian Art. Cambridge: Cambridge University Press.
Brown, Mike. 1995. ‘Introduction’. In Power to the People: The Art of Mike Brown, 15–32. Melbourne, Vic: National Gallery of Victoria.
Burn, Ian. 1991. ‘Chapter 11: Conceptual Art as Art’. In Dialogue: Writings in Art History, 125–30. North Sydney, NSW: Allen & Unwin. https://ebookcentral.proquest.com/lib/qut/reader.action?docID=5522760&ppg=119&c=UERG.
Catalano, Gary. 1981. ‘Appendix One: The Antipodean Manifesto’. In The Years of Hope: Australian Art and Criticism 1959-1968, 203–5. Melbourne, Vic: Oxford University Press.
Counihan, Noel. 1943. ‘How Albert Tucker Misrepresents Marxism’. Angry Penguins, no. 5: 1–5.
Croft, Brenda L. 2012. ‘Revolutionize Me (and You, and You, and You)’. In Decolonize Me: Décolonisez-Moi, 46–59. Ottawa, ON: Ottawa Art Gallery.
Danko, Aleks, and Mike Parr. 1994. ‘“Lafart” Manifesto - 18/3/1975’. In Zen Made in Australia, Artist and the museum:18–18. The University of Melbourne, Museum of Art.
Gott, Ted. 1994. ‘Agony Down Under: Australian Artists Addressing AIDS’. In Don’t Leave Me This Way: Art in the Age of AIDS, edited by Ted Gott, 1–33. Canberra, ACT: National Gallery of Australia.
Green, Charles. 1995. ‘Ch 1 : Off the Wall and in the Air : The 1970s’. In Peripheral Vision: Contemporary Australian Art, 1970-1994 : A World Art Book, 11–38. [East Roseville, N.S.W.]: Craftsman House.
Grishin, Sasha. 2015. Australian Art: A History. Carlton, Victoria: The Miegunyah Press, an imprint of Melbourne University Publishing Limited.
Haese, Richard. 1981. ‘Chapter 5: Dissent and Division: War on the Cultural Front’. In Rebels and Precursors: The Revolutionary Years of Australian Art, 129–53. London, UK: Allen Lane.
MacDonald, J. S. 1931. ‘Arthur Streeton (Pp. 12-13, 15, 17-23)’. Art in Australia 3 (40): 12–23.
Marsh, Anne. 1993. ‘Ch 4 : Ritual Performance and Ecology ; Feminist and Activist Performance’. In Body and Self: Performance Art in Australia 1969-92, 141–83. Melbourne,Vic: Oxford University Press.
McAuliffe, Chris. 1994. ‘Ch 6 : Don’t Fence Me In : Artists and Suburbia in the 1960s’. In Beasts of Suburbia: Reinterpreting Cultures in Australian Suburbs, edited by Sarah Ferber, Chris Healy, and Chris McAuliffe, 94–110. Carlton, Vic: Melbourne University Press.
McCaughey, Patrick. 1968. ‘Experience and the New Abstraction’. In The Field, 95–97. Melbourne, Vic: National Gallery of Victoria.
McCaughey, Patrick. 1984. ‘Field Days’. In The Field Now, 23–27. Heide Park and Art Gallery.
McCubbin, Frederick. 1975. ‘Some Remarks on the History of Australian Art (1916)’. In Documents on Art and Taste in Australia: The Colonial Period, 1770-1914, 268–81. Melbourne, Vic: Oxford University Press.
McQueen, Humphrey. 1979. ‘From Eggs to Electrolux (Extract)’. In The Black Swan of Trespass: The Emergence of Modernist Painting in Australia to 1944, 140–63. Sydney: Alternative Publishing.
Nairn, Sandy. 1987. ‘Identity, Culture and Power’. In State of the Art: Ideas and Images in the 1980s, 205–28. London: Chatto & Windus in collaboration with Channel Four Television Co.
Norrie, Susan et al. 2007. ‘3 Artists, 3 Projects’. Art and Australia 44 (4): 492–95.
Perkins, Hetti, and Victoria Lynn. 1993. ‘Black Artists, Cultural Activists’. In Australian Perspecta 1993 : Art Gallery of New South Wales. Sydney, NSW: Art Gallery of New South Wales.
Plant, Margaret. 1985. ‘The Annandales’. In Irreverent Sculpture, 22–55. Clayton, Vic: Monash University Gallery, Dept. of Visual Arts.
Preston, Margaret. 2003. ‘“The Indigenous Art of Australia” (1925)  Pp.25--29 and “Why I Became a Convert to Modern Art” (1923) Pp. 60-64’. In Art and Australia: Selected Writings 1920-1950, edited by Elizabeth Butel. North Sydney, NSW: Richmond Ventures.
Riemschneider, Burkhard and Grosenick, Uta. 1999. ‘Tracey Moffatt’. In Art at the Turn of the Millennium, 346–47. Köln: Taschen.
Roberts, Claire. 2006. ‘The Slow Art of Ah Xian’. Art and Australia 43 (3): 390–97.
Ryan, J. 2002. ‘Papunya Tula, 1971-73: A New Way of Seeing the Land’. In Fieldwork: Australian Art 1968 - 2002, 30–37. Melbourne, Vic: National Gallery of Victoria.
Smith, Terry. 1991. ‘Aboriginal Painting : Koori Culture Asserts Itself’. In Australian Painting, 1788-1990, 509–17. Melbourne, Vic: Oxford University Press.
Smith, Terry, and Paul Taylor. 1984. ‘Chapter of Anything Goes: Art in Australia 1970-1980 (Pp. 46--53, 158--167 )’. In Anything Goes: Art in Australia 1970-1980, edited by Paul Taylor. Melbourne: Art and Text : distributed by Kingfisher Books.
Stephen, Ann, Andrew McNamara, and Philip Goad. 2006. Modernism & Australia: Documents on Art, Design and Architecture 1917-1967. Vol. Miegunyah Press series. Carlton, Vic: Melbourne University Publishing.
Tucker, Albert. 1944. ‘The Flea and the Elephant’. Angry Penguins, no. 6: 55–58.
Watson, Jenny. 1977. ‘New York Women Artists : Their Work and Feminism’. Lip, no. 2: 95–97.